It was not Plantin’s green thumb, but the renovation vision of Balthasar I Moretus that shaped the current garden. He adapted the older part of the house to make room for an inner courtyard where the horses and carriages of distinguished guests could enter. Customers, princes, and kings alike, along with other dignitaries, made their way through these doors.
It wasn’t until the end of the last century that the courtyard became a Flemish Renaissance garden. Horizontal lines, cross-shaped windows, and galleries all contribute to a majestic, yet intimate, atmosphere. The international elite simply loved visiting. For the printing family, this was the ideal place to do business or engage in “intellectual refinement”.